Відео

Thanks for the question, Jason. Add a plate to threaded ¼" 20 holes on the side of the cage and, voila!, you have an L-bracket. Edit: Z6III cage review coming soon.

@@RaymondParkerPhoto Thanks, I may try this route… 📸😎

Hi Zak. There are a number of settings that can be shared (or not) between photo and video--white balance, profile, skin softening, VR, etc. (Same As), or you can uncouple them in the respective menus. You can also lock shutter speed via g3 (I keep mine at 1/50 for video since I mostly shoot 24p. Note: that's overridden when, say, 120p is chosen). You could also create a memory bank.

@@RaymondParkerPhoto thank you Raymond!

My Pleasure. If you're talking about the Astrophotographer, sorry I can't agree (my wife either); he has a distinctly American accent, while I speak Canadianized Brit.

I will for sure, on the main page of my channel.

Interesting! Thanks for the info.

I almost always use the Flat profile and colour grade in post. This is 10-bit SDR by the way.

@@RaymondParkerPhoto Can the same effect be achieved by adjusting the tone curve in Nikon's picture control software or NX Studio? I was thinking that with the Z6III's new flexible color picture control that allows a custom tone curve and color grading, it would be possible to skip the post production process

@@bananaman-zd4lq I haven't had chance to try that. Let us know how you go.

@@RaymondParkerPhoto I don't have a z6III, maybe someday

Great news!

Awesome! Thank you!

Hi Robbie from New West (I'm a graduate of NWSS). As you guessed, I edit 8K on a 4K timeline, without proxies. I have a friend who edited 8K on his MacBook M1 without issues, on fast external 4TB NVME with a Thunderbolt 4 case. I think I mentioned, I edit on the 4TB internal. I believe I also list the rest of the specs here (if not, in the first, which I'll link below). (Edit: Specs discussed in this video). The Studio has since upgraded to M2. Hope this helps. ua-cam.com/video/L8JQeONj-wA/v-deo.html

@@RaymondParkerPhoto Thanks so much! All the bits and pieces of information are coming together for me as I make an informed plunge. Nice on the NWSS, I’m enjoying New West here having returned to BC 5 years ago after a career in Ottawa. I’m having fun with my pivot into filmmaking. Cheers!

Typos happen.

But do you like odd ducks?

@@RaymondParkerPhoto odd ducks are so much more interesting than standard boring ducks don’t you think?

Different tool for different jobs. The Z6III is lighter, smaller but shoots 5.4 and 6K, plus better low light performance. I have no inside intel but I don't think this is made by Tamron.

It isn't, there's no Tamron with the same optics around (neither is there a Samyang or anything else). This one has a concave front element which none of the others have.

Cheers! from the wide green land.

Absolutely! And you're welcome!

It is intriguing, as I indicate in this video, that the (now retired) roadmap had a 35mm as an S Line lens. So maybe your hopes won't ultimately be dashed.

A 35 f/1.2 could still arrive later.

Ricci hinted in his video that this isn't the one one the roadmap. Think you just will have to wait more for the 1.2, doubt this was the last 35 ever from Nikon. Now I'm waiting for a 28, a bit faster than the 2.8, and reasonably priced. An S 1.8 or non-S 1.4 like this one, both would do. Just no US$2000+ top shelf lens, I need a workhorse, reasonable in size, weight, price.

@@marcusbraun8889 Thanks Marcus and everyone. I've been a fan of Nikon since my original D200. So many people were saying that Nikon was going Bankrupt and was finished. I knew that was BS and I am so proud of Nikon for making such a huge comeback. In my opinion their color science is superior and their cameras and equipment are much better than Sony and Canon. I am encouraged by the comments from all of you that the possibility of a 35 mm 1.2 is still possible. I'm not upset that Nikon released a 35 mm 1.4 as a line of 1.4 less expensive glass would be very exciting but when you shoot professionally you expect and get used to the S line lenses and 1.2. Let's hope you're all right and I'm glad that Ricci stated that this is not the lens on the road map. I have to say that of all the lenses that I have recently purchased I am extremely pleased with especially the new 135 1.8 Plena. Not just because of the photography Bokeh but the image quality from edge to edge without vignetting and it's close focus range is absolutely incredible. The 12t Plena truly deserves having The planet name engraved on the lens like the Noct. Nikon and its engineers should be truly proud of this lens especially since when Nikon moved to the Z mount everyone kind of snickered as they were writing it off and clearly that move has been instrumental in lenses like the 50 1.2 and the Plena 135 1.8. I don't think the capabilities would have been possible on the old F Mount. So excited to see what they will come out next. Now that their roadmap is almost finished I am sure they are going to really small exotic lenses like the Plena and I look forward to that development. Need to be more kind to my wife since my lands purchasing has gone a little bit out of control and she has been so gracious and patient and knows that I truly love photography.

@@madst7521 Yes I have heard that from others and I am so encouraged. I don't mind that Nikon wants to release a new line of 1.4 less expensive glass. That is actually a great idea and they have done such a spectacular job with keeping to their roadmap and even releasing a few exceptional special lenses like the Knoct and the Plena. Hopefully the 35 mm 1.2 will remain on the road map and come out at some point in the future.

👍

True, but $200 is still $200. I think this lens will sell. Hope your Z6III arrives on time.

A bit of a head scratcher for sure.

The Z6III has 4K 120p

Thank you! Cheers!

Yep. nothing "beginner" about the Z6 (and certainly not the impending Z6III). Not to say beginners can't get a great start with any of the Z6s.

@@RaymondParkerPhoto Thanks for the reply. I feel like "beginner" has become one of those UA-camy buzzwords to describe people who can't afford pro gear. But the Z6 is pro gear. Like any camera, if you know how to use it to get the pictures you want, then you're a pro and it's your gear. Having an expensive camera with lots of features does not make you a professional photographer. Heck, give me a Canon M50 and I'll shoot weddings, portraits and studio work on it, and the clients would never know nor complain. It would just be a little inconvenient with lack of buttons for easy adjustments / navigation. That's all. For photography, just about any mirrorless camera will get the job done if you know how to use it properly, even an older "budget" camera. That's why I like them.

Mia! *So* nice to hear from you again! What a surprise! I do hope you are well. If you're ever planning to come to VI, let me know. It was a rushed trip with a "mission" but I'll let you know if the reverse happens.